The Age of the Poets revisits the age-old challenge of the relation among literature and philosophy, arguing opposed to either Plato and Heidegger’s recognized arguments. Philosophy neither has to prohibit the poets from the republic nor abdicate its personal powers to the only advantage of poetry or paintings. as a substitute, it needs to claim the top of what Badiou names the “age of the poets,” which stretches from Hölderlin to Celan. Drawing on rules from his first ebook at the topic, “The Autonomy of the cultured Process,” Badiou bargains an illuminating set of readings of latest French prose writers, giving us attention-grabbing insights into the speculation of the unconventional whereas additionally accounting for the categorical place of literature among technological know-how and beliefs.
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Additional resources for The Age of the Poets: And Other Writings on Twentieth-Century Poetry and Prose
201. 18 I say: a comparability. The epistemological prestige of topology in psychoanalysis and within the conception of the signifier is, based on Jacques Lacan, even more formidable: it's ‘really’, and never as a determine, that the relation of signifier/signified should be obvious as presentified within the Möbius strip. enable me to discover this confirmation adventurous. For whether it is a question of a true id, we are going to need to announce truly that henceforth the idea of the signifier is a department of topology, a unique arithmetic. Conversely, if what's at stake is a resemblance, a metaphor, this could now not make one imagine that this conception has been provided with the slightest little bit of supplementary scientificity. Gaston Bachelard, whose instructing continues to be unknown even with all of the hat-tipping to which he's topic, has proven that the relation of arithmetic to the sciences that depend on it used to be neither a relation of identification, nor a relation of analogy, nor eventually an instrumental one. among the Möbius strip and Saussure’s doctrine, among the signifying chain and the set of rules with which Gottlob Frege attempts – furthermore in useless – to build quantity, we're faraway from tying jointly the categorical family members that might warrantly the rigour of a brand new object-of-knowledge. For in every one case, both what's working is in basic terms an impotent snapshot, otherwise what we discover, now not as produced yet as unsuccessfully translated – that's, repeated – is just the rigour of the 1st item: the mathematical item. it's going to now not be not easy to assert what literature is aware. It is familiar with the known human topic. It understands its failings and its weaknesses and, at the foundation of that wisdom, transforms the inevitability of resignation. Resignation to the truth that, as in a single of the first actual examples of the Bildungsroman, Wilhelm Meister’s Apprenticeship, the realm by no means lives as much as the belief; or, as within the earliest naturalist novels, through Émile Zola, resignation within the face of ignominious social stipulations. In its lowest shape, this can be wisdom of a type of dismal moderation of the genuine, in comparison with the wild assertions of concept – and of philosophy, specifically. Literature is familiar with within out the workings of deceit, ungratefulness, selfishness and stupidity. Literature serves as a ‘critique’; it is usually praised for its competitive or morose insights, or congratulated on its ‘lucidity’ whilst, like Louis-Ferdinand Céline, it aspires to make ‘little track’ of our wretchedness. Even Marcel Proust, as high quality a author as he will be, spends a long time, and an outstanding many volumes, exploring the interminable internet of decay and conceit, cruelty and resentment, absurdity, smugness and murky innermost sentiments, sooner than discovering salvation within the moment Coming of writing; earlier than studying the single factor that issues – and which marks the transition from wisdom to inspiration: the victories of which humanity is able. The ‘supra-sensual hour’ that Henry James describes in reference to the hero of The Ambassadors; Samuel Beckett’s ‘blessed instances of blue’ in the way it Is; the enchanted dying of Prince Andrei in battle and Peace; Julie’s testomony within the New Heloise; the peasants’ procession round the wounded airmen in Malraux’s Man’s Hope … or Conrad’s novel, entitled easily Victory.