By Gustavus Stadler
One essay uncovers the misplaced background of studio recordings of lynching reenactments within the Nineties and analyzes where of those reenactments between representations of blackness in early phonography. one other essay presents an in depth account of the piano roll’s centrality in technological and cultural conceptions of sound copy, whereas yet one more essay exposes the function of experiments with the deaf within the improvement of sound recording know-how. the ultimate essay addresses the utopian impulse in modern worldwide pop.
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